The Wolverine Movie picks up with the semi-immortal mutant Logan (Hugh Jackman) looking particularly disheveled, after having spent an unspecified amount of time in self-imposed exile in the Canadian wilderness (following the events of X-Men: The Last Stand).
This movie makes up for Origins. It’s Marvel’s way of saying “Our fault. Here. For your troubles.” The action is fast paced and even cheer-enducing at times, the storyline keeps moving and the humor is sprinkled well throughout. I always think it’s a good sign whenever I get to review a movie and it makes me want to pay to see it again. And this one definitely falls in that category. I actually viewed it in 3D: it was very subtle and naturally done. However, I don’t think the movie would lose any greatness if it was viewed in 2D.
It does raise some small logistics questions, as some people around the web have pointed out. Questions such as, well, if his accelerated healing powers are gone, wouldn’t that mean his claws would just leave gaping, perpetually bleeding wounds between his knuckles? And wouldn’t the metal on his bones poison his blood? You kinda have to ignore this stuff for the movie to work, I guess.
The finale is somewhat disappointing when it rolls round as – despite a terrific fight between Yukio and a somewhat menacing but out-of-place Svetlana Khodchenkova as Viper which ends with a fairly brutal moment – we’re ultimately left with Wolverine fighting a big CGI robot we don’t care much about. The reveal that Yashida is in the suit is fairly obvious from the moment we see the suit, and the decision not to immediately reveal him (and therefore up the emotional stakes) leaves the final battle feeling dry, and listless.
Synopsis: Based on the celebrated comic book arc, this epic action-adventure takes Wolverine, the most iconic character of the X-Men universe, to modern day Japan. Out of his depth in an unknown world he faces his ultimate nemesis in a life-or-death battle that will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits, he confronts not only lethal samurai steel but also his inner struggle against his own immortality, emerging more powerful than we have ever seen him before.
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Positive—I saw this movie today, and I thought it was excellent. Anyone who would call this movie average” has not seen many modern day films. The only thing that prevented me from saying good was the fact that some Christians are offended by magical fantasy content, and there was some violence (although tastefully done). I think this movie has some excellent messages about forgiveness and that revenge is not all it’s cracked up to be. The evil character in the film is not murdered by anyone other than himself, as he attacked the other main character, and she exercised self-defense.
Following the onset of the curse, King Stephan sends his daughter reluctantly off with three good fairies; Knotgrass (Imelda Staunton- Alice in Wonderland 2010, Harry Potter 2010), Thistlewit (Juno Temple- The Three Musketeers 2011, The Dark Knight Rises 2012), and Flittle (Lesley Manville- Romeo & Juliet 2013, Spike Island 2013), who have taken on the responsibility of raising Aurora and are to return her one day after her birthday. The fairies are quite inept at looking after a baby, let alone themselves, and provide quite a few hilarious moments.
Angelina Jolie’s daughter Vivienne Jolie-Pitt was chosen to play the younger Aurora because she was the only child that wasn’t afraid of her own mother in costume since other kids in casting would run away in fear of Angelina’s appearance. My kids have seen the movie and my daughter in particular has listed it as her favourite movie of the year. It’s no surprise then that she’s pretty keen to get the DVD version when it’s released in two weeks.
I really liked where Maleficent could’ve gone. Disney, and other studios, have been perpetuating a trend where one line of dialogue hints at a past tragedy such as a family death, war, etc. And the audience is meant to be understand and feel emotionally connected right away to wherever the story is going to take us next. Many times this is not a foundation to understand why we should loathe characters because they are facing off against a favorable protagonist. The main problem of the film derives that we see Maleficent befriend a commoner who seems to love her just as she is, and then poof, he is an increasingly rugged king trying to end her life.
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This isn’t a movie that should be winning any Oscars, but neither is it an abysmal joke of a movie that deserves the critical beating that it’s taking. It is a creative and interesting fantasy action movie, set in a distinct and deep world that feels fully formed as opposed to being but a series of set pieces for the director to fill with interminable ADD-riddled CGI fight sequences. And it tops it off by having the decency to try to tell a story about something, while not planting tongue firmly in cheek in the opening scene and winking at the audience for 90 minutes of cartoon action.
Presumably this is intended to lend proceedings a magical, TLOTR -style sheen, but the FX look so dated, and the backdrops so shiny and fake, they feel like cast-offs from The Last Airbender , or some godforsaken forgotten planet in George Lucas’ prequel-verse. Harsh review. It is escapist fun. The 3D works well. The relationship between Kai and the Ronin was well played. Keanu can’t act, but the film was still enjoyable, taken as a fun popcorn fantasy film.
It’s a nice little story, one that focuses in on a more personal story, on the story of men who take up arms in order to set things right, without hampering the story with the fantasy movie insistence on making every story about preventing the end of the world. And the alien nature of feudal Japan is a refreshing setting. This is not Japan on the decline, the last gasp of the samurai, and it’s not the typical movie version of feudal society that gets updated to reflect our modern sensibilities.
It clearly states in the movie that Kai is half-Japanese and half-English (a sailor was his father). Nice paying attention to the “simple” plotline, Mr. Reviewer. He was raised by the lizardish monks, he’s not related to them. Jim, please don’t take any of these neckbearded mouth breathers seriously about Lupin, the point still stands: Lupin didn’t cost 225 million to make and will probably recoup its losses, unlike 47 Ronin.
Play Streaming 47 Ronin Based on the original 1941 movie from Japan, and from ancient Japan’s most enduring tale, the epic 3D fantasy-adventure 47 Ronin is born. Keanu Reeves leads the cast as Kai, an outcast who joins Oishi (Hiroyuki Sanada), the leader of the 47 outcast samurai.
These two films offered two different resolutions to the problem of the central character being a victim of a conspiracy and trying to fight the system to bring about justice. One was extralegal (DMD) and one was a courtroom drama (CC). I found Dead Man Down satisfying in the final scene, because it had the main character singlehandedly take on his enemies, show mercy to his friend on the enemies’ side, rescue the kidnap victim, and frame a bad guy for killing the other bad guy’s brother, causing them to turn on each other, all in a few short minutes.
One saving grace is the lighting by John Mathieson, who has worked on a few Ridley Scott movies, including Gladiator and Kingdom of Heaven. Anyone who works with Ridley Scott is top-notch, and Mathieson doesn’t disappoint here. Shot mainly on sound stages, 47 Ronin is beautifully lit with soft directional light. There are however, a few too many swooping helicopter shots of men galloping on horses in the mountains, giving me Lord of the Rings flashbacks.
God, that movie was HORRIBLE. So bad. The theatre was also pretty empty as well. This movie is going to be a huge flop. I see under 20 million for this holiday opening, and this is against a 200 million dollar budget. When someone tries to argue that the plural of anecdote is data, it is. Popularity is not the same as critical reception, otherwise we’ll be remembering Rhianna’s name in fifty years… and we won’t.
I agree with the criticism on most of your points except the thing about not knowing they would all die at the end. Oishi says pretty clearly that their mission can only end in death even in success for disobeying the Shogun’s declaration, which is a pretty important plot point as it relates why they waited so long to take action and Oishi’s treatment of his wife. Seriously, compare the video to the fat guy, and you see how unlike a samurai/katana user the fat guy was.
When previews for Universal’s 47 Ronin started appearing last year, the reaction was, at best, cautiously pessimistic. Purists bemoaned the added mysticism, the politically corrected sniffed at having an englishman ostensibly save the day for the Japanese, and Keanu Reeves many haters resurfaced to ridicule the film’s star.
Critics really dislike the film and the general consensus is that they were just disappointed, especially given the names and talent involved. Tadanobu Asano and Hiroyuki Sanada are both great actors. People have mixed feelings about Keanu, but I’ve always liked the guy. Unfortunately the scripting for 47 Ronin left them all with unexciting, relatively one dimensional roles to play.
These featurettes are great extras” but should be required viewing after the movie rolls its credits. The making of the gorgeous Japanese landscape, the fight scene rehearsals and the commentary on how an old Japanese historical event was blended with Japanese folklore and legend. These featurettes are easily as entertaining as the movie itself. I just don’t get how Keanu dies. Seriously? lol I thought he’ll be the one who’ll live since his a legendary.
And in Man of Tai Chi, Keanu Reeves gets to play an underworld figure character for the film and make his directorial debut at the same time. So that has got to be a big draw for him. And since he chose to walk away from the sequel of Speed, and earnings in excess of the $1.2 million that movie made him, it’s obvious this actor is driven by continuing to stretch himself professionally rather than playing one role ad nauseum for the big bucks.
Parents need to know thatÂ 47Â RoninÂ is based on a famous Japanese story about an event that took place in theÂ 18thÂ century and though the violence is largely bloodless, there areÂ swordfightsÂ with mixed martial arts and two beheadings. Characters are pierced with arrows and appear to die. Characters commit ritual suicide. We also see some fantasy violence, such as witchcraft and monsters. Sex is not an issue, but the main male and female characters are shown to be in love, though they barely touch.
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